Each piece begins on heavy unbleached Belgian linen stretched over custom cross-braced tulipwood bars. Two coats of warm rabbit-skin glue isolate the fibers before oil ground application.
Paints are hand-milled on marble slabs using cold-pressed Swedish flax oil and single-origin minerals. Thin translucent applications allow subsurface light reflectance across decades of display.
Selected exhibitions and provenance
Recent presentations include solo installations at the Mercer Pavilion and survey groups at the Hudson Triennial. Museum acquisitions retain archival condition reports and documented framing specs.
Monographic documentation is bound in offset lithography with color-matched duotones. Curators and institutional researchers can review physical conservation folios and condition logs.
Studio visits and curation
Private appointments for curators, architects, and collectors are scheduled during natural daylight hours.